Knitting · Spinning · Weaving

I’m Not The Only One.

Thinking about the whole nail polish thing I posted about yesterday, I couldn’t help but ask my greatest knitting resource: Ravelry. Specifically LSG which happens to be my favourite knitting group/forum ever for the sheer hilarity of its members.

(LSG stands for Lazy, Stupid and Godless and if it were a face-to-face knitting group it would probably involve copious amounts of alcohol and many gorgeous hand-knitted garments slung casually around shoulders.)

Anyway. It turns out I am not the only one who matches my nail varnish to my yarn-based projects.

Coleva matches her nail varnish to the yarn she’s spinning at the time.

Which I think you’ll agree is fairly terrific.

Annkari is similarly inclined and even matches the luscious shimmer.

Nagarajas matches hers to her knitting projects and her weaving projects. Multi-talented coordination. There are some very skilled ladies on that forum.

Don’t want to match to your yarn but still want to be utterly, spectacularly stylish? Not a problem. Match with your cute little yarn bowl instead, as SlpBeauty does.

Variegated yarn or colourwork? NOT A PROBLEM! Beth825 has a very classy answer to that conundrum.

There’s also someone who matches her nail varnish to the ink in her fountain pen which is a whole new level of awesome.

(I used all these pictures with permission, by the way. I am not a sneaky nail-picture thief.)

Some people are the opposite. Like Ikchen on Twitter, a very lovely lady who replied:

I tend to not knit when wearing nail polish, mostly because it makes my fingers feel wrong (and thus the knitting).

Please share if this is relevant to you too.

I’m way too amused by this, it seems.

Books · Craft · Inspiration · Knitting · Magazines · Tools · Vintage

Vintage Knitting Magazines Amuse Me

Knitting is such an old tradition it would be strange, nay, insane not to dip one’s toe into the history of it. Especially if you are a bit of a nerd. Sometimes I read up on the ancient history of it; I enjoy feeling like the latest knit stitch in the vast fabric of life. Today though I’ve been reading a little closer to home.

You see, my good friend Frankie gave me some vintage Vogue Knitting Books. I’m not sure when they’re from but the prices are displayed in shillings and pence, so it’s been a while. At

first glance, I’d say sixties at the very latest but probably earlier. So far I can’t find a single date anywhere in the rather tattered and well-loved magazines. Laziness stops me from trying too hard.

Who needs to be precise when they’re full of amazing gems of a time gone by? I’m not even talking about the knitting patterns which are generally quite shapeless and stiff-looking. No, I’m talking about the adverts. The awkwardly posing women with heavily-lined eyes and bright red lips looking vaguely amused at the cameras. Serious-looking men with big watches. Some of them have cigarettes. Even more astoundingly, some of the women have wrinkles.

The adverts are usually quite wordy and laced through with rather forceful heterosexuality. Take a gander at this example, shown below a jaunty couple sporting rather ugly jumpers (sweaters for you North Americans):

“Here’s Wendy M1 the super-speed quality that beats everything in sheer speed and ease of knitting . . . a superb pure wool that’s new, modern and exciting to use as the new M1 Motor-way itself.
In a couple of evenings you can now knit this glorious, open air sweater which is all the vogue for outdoor occasions – and has a carefree fascination for chilly days within. Chunky. Bulky. Deliciously warm. Knit it in that special colour he loves to see you wearing. And what better than to knit him one too!”

And it’s only 8d post free!

That was from the 59th in the series. I have another one that’s much earlier – 37th. Some of the designs are quite pleasant in an angular sort of way. Obviously this edition was published before the prohibition of visible waistlines.

Most of the adverts are illustrations rather than photographs. One picture has an impossibly thin woman reclining over a slightly nonsensical attempt at literary seduction:

“On being Sophisticated.
An obvious but unaffected air of quality with a nonchalant acceptance of current fashion lines is essential.
The unselfconscious air of quality in Marriner’s Heritage wool places it way up top and the latest fashion trends in Marriner leaflet design show the way to sophistication.”

Perhaps they were hoping to stun their audience with the sparkling (and repetitive) vocabulary so that they don’t notice the complete lack of substance. Which, to be fair, is the general idea of most advertising.

One column advises customers to enquire to “J. & W. Bastard Ltd. at Frog Island Mills”. Teehee.

BREAKING NEWS! I found a date as I was scanning the tiny print for more hilarity. The 37th is from 1950. That’s the earliest I have. The others are the ccc45th, 51th and 59th. By flicking through the magazines you can see time ambling casually by. Restrictive women’s underwear slowly disappears, abandoning the defined waist somewhere in the 51st edition. There are fewer ads for baby-related products the further you step into the latter half of the twentieth century. Nylon is introduced to wool and they hit it off right away, embarking on a glorious and long-lasting romance that ends in fabulously wearable sock yarn. Everyone faints as machine knitting becomes popular, a sure sign that we’ll be living on the moon a few years later.

And, over half a century later, I get to sit here (on Earth, since there’s no yarn on the moon) giggling and sharing it with you.

Inspiration · Vintage

Victorians Smiling

 Victorians Smiling II from How to be a Retronaut.

Sometimes I’ll stumble across a website in search of inspiration and I hit gold. I’m not in the mood for knitting right now; with NaNoWriMo approaching rapidly my writing muse is emerging happily and that is taking up all my inspiration (plus I have a mistake in a sock to fix that I just can’t face right now but let’s not talk about that!). Of course procrastination goes hand in hand with writing and I can’t say I’m too worried about that when I stumble on websites like this.

Victorians have such a formal, stiff reputation and a lot of that has to do with the photographs taken of them. When one had to sit motionless for a certain amount of time it’s not surprising that it was easier to keep a straight face! Luckily technology moved fast and gave a little leeway. Or, put in a much less rambly way:

When Joseph-Nicephore Niepce took the first photograph in 1828, his photographic plate required an exposure of eight hours. That exposure time was drastically reduced across the course of the nineteenth century, so that by the 1890s the Collodion process had cut exposure times to two or three seconds.

Nevertheless, a three second exposure meant that subjects had to stand very still to avoid being blurred, and holding a smile for that period was tricky. As a result, we have a tendency to see our Victorian ancestors as even more formal and stern than they might have been. [from here]

Seeing Victorian people in a different context has opened my eyes. They may seem historical and stuffy but in reality they’re generations of people just like us with their fashions, their passions, and their apparently unending vanity. The 1800s is the first time in history we’ve been able to uncover ordinary people in ordinary lives with the power of photographs; still prone to interpretation from the photographer and the viewer, but nonetheless still much closer to reality than old paintings and prose. Maybe that’s why I find them so endlessly amazing.

How to be a Retronaut covers more than just the 1800s. Have a browse. It’s the 1800s that catch my attention though and fill me with inspiration.